{"id":155775,"date":"2023-04-18T21:28:50","date_gmt":"2023-04-18T21:28:50","guid":{"rendered":"https:\/\/culture.org\/?p=155775"},"modified":"2023-06-12T13:56:53","modified_gmt":"2023-06-12T13:56:53","slug":"boots-rileys-visionary-miniseries-im-a-virgo-transforms-oaklands-film-scene","status":"publish","type":"post","link":"https:\/\/culture.org\/art-and-culture\/boots-rileys-visionary-miniseries-im-a-virgo-transforms-oaklands-film-scene\/","title":{"rendered":"Boots Riley’s Visionary Miniseries “I’m a Virgo” Transforms Oakland’s Film Scene"},"content":{"rendered":" \r\n\r\n\r\n \r\n\r\n
<\/p>\n
After rising to fame as the frontman for Oakland’s legendary hip hop group The Coup, Boots Riley reinvented himself in the film industry.<\/span><\/p>\n He first made a splash with his 2018 Sundance breakout “Sorry to Bother You,” a satirical take on the workplace that showcased his socialist values and desire to empower the working class.\u00a0<\/span><\/p>\n His latest project, the Amazon miniseries “I’m a Virgo,” tells the story of a 13-foot-tall teenager (Jharrel Jerome) who escapes his insular household to engage with local activism.<\/span><\/p>\n Riley brings a distinctive vision to his work, characterized by a blend of magical realism and social commentary.<\/span><\/p>\n For “I’m a Virgo,” he chose to use practical effects, such as forced perspective and puppets, to create a visually compelling world.<\/span><\/p>\n The series is both hilarious and tragic, reflecting Riley’s unique sensibilities and dedication to telling human stories.<\/span><\/p>\n Despite the temptation to move to the center of the film industry, Riley has remained committed to Oakland.<\/span><\/p>\n He believes that being grounded in his community makes him a better artist and allows him to create more authentic work.<\/span><\/p>\n As a result, much of “I’m a Virgo” was filmed in Oakland, with only some interiors shot in New Orleans.<\/span><\/p>\n Riley asserts that his familiarity with Oakland gives his work a distinct sense of place, similar to New York filmmakers like Noah Baumbach, Jim Jarmusch, and Woody Allen.<\/span><\/p>\n Recognizing the lack of a central hub for Oakland’s filmmaking community, Riley co-founded Cinemama, a local non-profit organization dedicated to creating a screening and event space.\u00a0<\/span><\/p>\n Alongside fellow filmmakers such as Cheryl Dunye and George Rush, Riley hopes to foster a vibrant film scene in the Bay Area, where filmmakers can gather and collaborate.<\/span><\/p>\n Boots Riley’s dedication to his community, unique artistic vision, and disciplined work ethic have made him a force to be reckoned with in the film industry.<\/p>\n <\/span>\r\n\r\n While working with Amazon might seem at odds with Riley’s activism, he sees an opportunity to convey an anti-capitalist message within a corporate context.<\/span><\/p>\n By making a show for Amazon, Riley hopes to encourage people to organize and demand better working conditions, even within the corporation itself.<\/span><\/p>\n Riley is concerned about the tendency for newer filmmakers to self-censor, especially regarding the representation of human sexuality.<\/span><\/p>\n Drawing inspiration from “Nashville” writer Joan Tewkesbury, he urges filmmakers to create human characters with realistic desires and motivations, challenging audiences to think beyond a PG-13 lens.<\/span><\/p>\n Despite facing financial struggles, Riley has maintained a disciplined approach to his work. He wakes up at 5:30 AM every day and writes for four uninterrupted hours, focusing on projects other than his current one.<\/span><\/p>\n This routine has allowed him to develop multiple scripts, securing financing and cast for two additional feature films.<\/span><\/p>\n Boots Riley’s dedication to his community, unique artistic vision, and disciplined work ethic have made him a force to be reckoned with in the film industry.<\/span><\/p>\n With “I’m a Virgo,” he showcases his talent and passion for storytelling while transforming Oakland’s film scene and challenging Hollywood norms.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":18,"featured_media":155776,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[410,3384],"tags":[],"class_list":["post-155775","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture","category-film-and-tv"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/155775"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=155775"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/155775\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/155776"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=155775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=155775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=155775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}A Unique Approach to Filmmaking<\/strong><\/h2>\n
Staying True to Oakland Roots<\/strong><\/h2>\n
Investing in the Local Film Scene<\/strong><\/h2>\n
\r\n \r\n \r\n \r\n
Balancing Corporate Resources and Personal Values<\/strong><\/h2>\n
Encouraging Authenticity and Creativity<\/strong><\/h2>\n
Developing a Consistent Routine<\/strong><\/h2>\n