{"id":156968,"date":"2023-05-06T20:35:33","date_gmt":"2023-05-06T20:35:33","guid":{"rendered":"https:\/\/culture.org\/?p=156968"},"modified":"2023-05-06T20:35:33","modified_gmt":"2023-05-06T20:35:33","slug":"digging-deep-artists-rediscover-the-ancient-art-of-earth-sourced-ceramics","status":"publish","type":"post","link":"https:\/\/culture.org\/art-and-culture\/digging-deep-artists-rediscover-the-ancient-art-of-earth-sourced-ceramics\/","title":{"rendered":"Digging Deep: Artists Rediscover the Ancient Art of Earth-Sourced Ceramics"},"content":{"rendered":" \r\n\r\n\r\n \r\n\r\n
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Artists Mitch Iburg and Malley Weber have turned to the earth to create sustainable, unique ceramics by sourcing clay locally.<\/span><\/p>\n Iburg, based in St. Paul, Minnesota, and Weber, from Maine, both prefer to dig clay themselves, giving their works a personal touch while embracing the craft’s historical and ecological roots.<\/span><\/p>\n Born in Wisconsin and raised in Iowa, Iburg initially studied painting at Coe College in Iowa.\u00a0<\/span><\/p>\n However, a 3-D fundamentals class led him to appreciate clay and its connection to nature and antiquity.<\/span><\/p>\n He applied for a residency at the Cobb Mountain Art and Ecology Project in California, specifically drawn to its location on a clay bed.<\/span><\/p>\n Iburg later opened Studio Alluvium in Minnesota with his fianc\u00e9e, Zo\u00eb Powell, where he continues to use specialized wood-fired kilns, which produce unique results depending on the type of wood and firing conditions.<\/span><\/p>\n Iburg’s works are available in several galleries and retail sites, where they are celebrated for their intimate and purposeful approach to craftsmanship.<\/span><\/p>\n Iburg’s earth-sourced materials and energy-conscious methods resonate with a growing community interested in sustainable art practices.<\/span><\/p>\n Today, Newsom and Weber work together to reintroduce ceramics to the Wabanaki community and celebrate the area’s heritage.<\/span><\/p>\n <\/span>\r\n\r\n Weber, owner of Kennebec Clay Works, collects clay from local sources like a neighbor’s stream.<\/span><\/p>\n Weber’s fascination with clay’s origins led her to uncover Maine’s rich clay deposits, which formed 14,000 years ago as glaciers melted and left sediment in the region.<\/span><\/p>\n The Presumpscot Formation, a blue-green marine clay, is a testament to the geological history of the area.<\/span><\/p>\n Bonnie Newsom, a citizen of the Penobscot Nation and an archeologist, has found evidence of clay pots made by Indigenous people 3,000 years ago, demonstrating a rich history of ceramic art in Maine.<\/span><\/p>\n Today, Newsom and Weber work together to reintroduce ceramics to the Wabanaki community and celebrate the area’s heritage.<\/span><\/p>\n Artists like Iburg and Weber are part of a growing movement that seeks to reconnect with the earth and embrace the artistic traditions of the past.<\/span><\/p>\n From using local clay sources to employing sustainable firing techniques, these artists are finding innovative ways to create unique, environmentally conscious ceramics.<\/span><\/p>\n Sam Saunders, who manages Wayne Village Pottery in Maine, is inspired by the self-sufficiency of his land’s original owners, who used local resources for brickmaking and blacksmithing.<\/span><\/p>\n Today, the pottery studio uses clay from the property and sells wholesale ornaments to multiple states.<\/span><\/p>\n As more artists begin to explore the use of locally sourced clay, they are not only preserving the environment but also connecting with the history and spirituality of the land.<\/span><\/p>\n Through their deliberate and mindful practices, these artists are creating meaningful, lasting works that celebrate the earth and its bountiful gifts.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":13,"featured_media":156969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[410],"tags":[],"class_list":["post-156968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/156968"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=156968"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/156968\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/156969"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=156968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=156968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=156968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}From Painting to Clay: Mitch Iburg’s Journey<\/b><\/h2>\n
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The Wild Clay of Maine: Malley Weber’s Passion<\/b><\/h2>\n
Embracing Tradition and Sustainability<\/b><\/h2>\n