Tarantino got a $20 million tax credit for the film but decided to explore other ideas instead.<\/li>\r\n <\/ul>\r\n <\/div>\r\n \nVision Behind ‘The Movie Critic’<\/h2>\n
Quentin Tarantino initially announced that The Movie Critic<\/i> would be his tenth and final film, <\/b>aiming to make it his biggest and most memorable project ever.<\/p>\n
However, reports from The Hollywood Reporter on April 17 stated that the project had been canceled.<\/p>\n
Despite receiving $20 million from the California Film Commission and entering “pre-pre-production” in June 2023, the film never progressed due to numerous rewrites and the lack of a committed studio<\/b>.<\/p>\nThe Intriguing Character of ‘The Movie Critic’<\/h2>\n
The movie’s protagonist was based on a real-life movie critic for an unnamed porn magazine<\/b>, a figure Tarantino admired during his teenage years when he worked restocking a pornography-magazine vending machine.<\/p>\n
This critic was known for his cynical and sharp reviews of mainstream movies<\/b>, resembling a mix of early Howard Stern and a film critic version of Travis Bickle.<\/p>\n
Tragically, the real critic died in his late 30s, likely due to complications from alcoholism. Tarantino wanted to stay true to this character’s age<\/b>, which ruled out casting older stars like Brad Pitt or Leonardo DiCaprio.<\/p>\nFilming in California<\/h2>\n
The Movie Critic<\/i> was set to be filmed in Los Angeles starting in the fall.<\/b> Tarantino loves filming in L.A. and praised the local crews and locations.<\/p>\n
He also secured a $20 million tax credit from California<\/b>, showing his dedication to making his final film in his hometown.<\/p>\nCasting Rumors<\/h2>\n
While Brad Pitt was rumored to be involved, possibly reprising his role as stuntman Cliff Booth from Once Upon a Time… in Hollywood<\/i>, it was clear that Pitt was too old to play the lead role.<\/b><\/p>\n
Instead, Tarantino sought a new leading man in his mid-30s, with Paul Walter Hauser <\/b>being a rumored candidate, although this was never confirmed.<\/p>\n
The potential inclusion of Pitt as a different character remained a topic of speculation.<\/p>\n
Moving on to New Ideas<\/h2>\n
Despite initial plans, Tarantino decided to cancel The Movie Critic<\/i>. He considered different plots, including a meta-story with characters from his other films and a young Tarantino working as a movie usher.<\/p>\n
However, he got more excited about other projects and chose to explore new ideas for his last film<\/b>, leading him to scrap the project altogether.<\/p>\n
Sony Pictures, unofficially attached to The Movie Critic<\/i>, is expected to work with Tarantino on whatever he decides next.<\/p>\nWhat\u2019s Next for Tarantino?<\/h2>\n
Now that The Movie Critic<\/i> has been canceled, Tarantino’s next move is unclear. He previously considered making an R-rated<\/b> Star Trek film<\/b><\/a> and an eight-episode TV series<\/b>, but neither happened.<\/p>\nFans are still eagerly waiting to see his final film, with the iconic director committed to making ten films before possibly retiring.<\/p>\n
For now, Tarantino is focusing on his revival theaters in L.A. Whatever his next project may be, it will surely captivate audiences and generate buzz in the film world.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10026,"featured_media":173193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3384],"tags":[],"class_list":["post-173191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-and-tv"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/173191"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10026"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=173191"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/173191\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/173193"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=173191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=173191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=173191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}